Eleven in the morning. A deadly silence fills the courtyard of Henri IV high school in Béziers. The soldiers garrisoned in the courtyard look around nervously, anticipating the battle ahead. Some cross themselves, others vomit copiously into their helmets. Others just sit around and tell fart jokes. Heh. Suddenly, a rumble sounds off in the distance. The soldiers jerk their heads up. Here it comes. The big one. Suddenly, a bus crashes into the reinforced steel portcullis! It’s a yellow school bus that you see in all those films. Kindergarten Cop… Uh… And all those other films. The door swings open and out pours a stream of preppy American students from some far away land!
The brave students of Henri IV try and hold them back, but their inane comments on how “they were really the only people who liked Obama for his policies rather than the fact that he was black” and how “David Letterman just isn’t what he used to be” push our valiant heroes back. Oh, the blood! Oh, the mind-numbing dullness!

Like this. But, yanno, with less guns and soldiers and blood and shit.
The main squad is down! They’ve taken over the school. The day is lost. Bummer.
Of course, the above scene was just a dramatic re-imagining of the scene that did greet me in school this morning. I’m currently in talks with Michael Bay concerning a film adaptation. But yanno, he wants to put fucking Transformers in it. Rhy, if you will:
So, yeah, Michael. Great fan of your work. I always liked films with shitloads of explosions and shit in them. So, what kind of ideas do you have for the opening scene?
Well I thought we’d have one of those big friggin’ Harrier jets fly over the school and drop a shitload of fucking napalm on everyone, like yanno, a pre-emptive strike on the school? It’s be like WHOOSH and everyone would be like AIEE! And the napalm falls like KERBLAMMO! and everbody’s running around on fire screaming and burning.
But… uh… the opening scene is just a simple montage of the beginning of the school day. And… hey, why the fuck would a Harrier jet drop napalm on a school full of children? I mean, you’re essentially killing off the protagonist in the opening scene.
Yeah, but no, but he’d be like late for school… or whatever… and uh… stay with me on this. Uh… he’d see all like the burning bodies and drop to his knees and roar. And uh… he’d like find these survivors and he’d like… yanno, gather them together for a last stand. And at one point he’d turn around and say “God’s gotta take a back seat on this”. And you know the Americans would arrive with their oppressive policies and superior technology and the protagonist would be forced to run into the countryside with the survivors and form a rag-tag resistance gr-
Michael, I’m gonna have to stop you there. That’s kind of like the plotline from Red Dawn. Just… yanno… Dumber.
Wait, no! For the closing battle, the ruins of the school turn into Optimus Prime and he beats the shit out of th-
Gonna have to stop you there again, Mike.
Why?
No reason. I’m just… gonna have to stop you.

A behind-the-scenes photo from back when Michael was still making our film about a typical schoolday.
So we figured we weren’t really getting anywhere with Michael Bay. The guy had to look up the word “plot” in the dictionary. Rhy suggested we turn to visionary director Mel Gibson to convey our vision to the world. We figured his subversive directing would fit our image just perfectly.
Mr Gibson, what an honour! Can I just say that I loved you in Mad Max. So what do you think of the script?
Well, uh, Rhy. Can I be honest? I think it needs a couple of re-writes.
Oh? Well, you’d know better than us. What with you being a world famous director and all. What didn’t you like?
Well, I… how can I put this? You know in the fifth scene where the Principal orders the doors to be shut, stopping the smokers from getting out at recess? We need to make the Principal a Jew. He needs to be up in his office with a big pot of Jew gold, a massive nose and a wicked chuckle. I mean this guy is the main antagonist, we really need to show the viewers that he’s part of a world-wide Jewish conspiracy that controls the media and-
Uh… Can we do that? I mean, legally do that? Wouldn’t Jewish viewers be offended?
Well, they killed Christ. What do we care? Oh, and the protagonist of the film has to be Jesus. And he’s gotta be crucified at the end.

Pro: Béziers is full of homeless who could play Jesus in Mel's re-write. Con: Mel is a fucking nut.
Jesus? But… what the hell would Jesus be doing in a small town in southern France? And didn’t you already kind of do that with The Passion?
Mel walked off the set muttering something about a giant pot of Jew gold at the end of the Jewbow. We were getting nowhere fast. Was there any director who could properly translate our story of greed, lust and alcohol for the big screen?
Mr Lynch. Jesus, man. How are you?
I’m uh… yeah, I’m good.
I gotta say, we love your work here at FTD. Jesus, we must have watched Eraserhead… god, must be twice now! Haha! And wow, you’re like, so down to earth!
Yeah. I guess so. Listen, about your script…
Yeah, what did you think of it? Wow, I can’t believe David Lynch is actually checking out our script!
Well, I can see a lot of potential. I can see a lot of metaphors being able to be slipped into the film. I was thinking maybe having a subliminal message flash at the viewer through different points in the film. Like, have “THE CAKE IS A LIE” flashed through at random intervals. Oh, and we’ve gotta show that the protagonist has repressed sexual urges towards his imaginary uncle who was invented through a subtext of…
He continued like this for a good few hours. We liked his vision and decided to go with him as our director. Finally, our film was finished. Rhy, want to unveil it for us?
Sure. Ladies and gentlemen! I present to you the most subversive piece of cinema you’re ever going to see in your pitiful lives! Oh, and if there are any epileptics in the crowd, you might want to look away. It didn’t test well with one guy in our test audience. Now. I present to you: D-Day 2 as directed by David Lynch!

It's a metaphor you idiots!
Isn’t like… the image supposed to move or something?
Uh… yeah… lemme check the reel. Wait, they’re all the same image! For two hours!
And… how does this represent the social problems at school?
Who the fuck cares? It’s David Lynch, maaaaan! You don’t have to understand it! Just go with the flow and talk about “hidden meanings” and shit. I mean David Lynch is the fucking GOD of ambiguity and jesus, Eraserhead? That was…
Coming soon to a DVD Bargain Bin near you,
J




